Welcome

Unit: G321

Lemar Barrett

St Thomas More RC School

Centre Number: 12632

Candidate Number: 0086

Evaluation

 1) In what ways does your media product use, develop or challenge conventions of media?

One way we used and developed the generic conventions of the horror genre was by setting the narrative at night. This allowed for a more realistic atmosphere to be created making the shots more believable as the audience were bathed in the grungy shadows of the dark murky mise-en-scenes created. The shadows casted by the generic creepy trees assisted with the portrayal of a generic horror film as it helped to emphasise the rural setting. We decided to challenge the generic conventions of the genre by inverting the conventional sacrificial lamb; Zhanvane. Stereotypically, a horror film portrays the first one to die as a blonde white female (The Ring 2002) however we challenged this by having Zhavane be a black


Our media product was to be a product of horror that we could use to attract and hopefully scare our intended audiences in order to see the impact of the product and how effective it was. One way we used and developed the conventions of the horror genre was by using the time of day to our advantage to give a much more realistic and believable atmosphere that the audience was dwell in; because it was night time, we had a greater advantage as the entire set was either covered by numerous shadows of trees or was completely dark, hereby setting up the situation and perhaps introduces a place that we are to find out about more later. Another convention of horror of which we then decided to challenge was through the inversion of the conventional characters that are likely either be killed, survive or kill-- for example, we had a young girl (Zhavane) dressed in what appears to be a torn, bloody and muddy white dress that could imply she has escaped from a place of torture and pain, and her demeanour, which is scared (made evident by the panting and the constant scanning of the area), our implication and theory that she is on the run from a place that she was kept in is further proved by the evidence on screen. The inversion also lies in the fact that the antagonist is a black man, which is an inversion because the antagonist of the films are usually white and have some form of dysfunctional background that aids to justify their later actions, but yet in our film, he is dressed in clothes that suggest a setting that could be during the 1800's, where slaves were prevalent in this time period-- he is attacking a black girl, thus creating confusion as to why he could possibly be attacking someone of his own race during a time where they are all discriminated against.


















5) How did you attract/address your audience?

We attracted our audience mainly through the use of social media. The reason for this is because through our extracurricular activities which involve creating short web series and making short films on YouTube, we have gained somewhat of a fanbase that we, as filmmakers, were able to utilize in a unique way. By strategizing, we used this to our advantage by promoting the video on Facebook where our fanbase is most likely to be prevalent; since our audience targets the ages of 16-24, which are considered young people, and our fanbase consists of these and different age groups that we have found over the Internet, it was a great strategic move in terms of attracting the correct audience to our product and ensuring that our product was successful. Given our success rate in making other films, this provided a boost to the promotion as the audiences who have watched our previous works and enjoyed it will most likely watch this and promote it by other means. We promoted the film by using pictures from the shoot to 'tease' the audience, giving them more of an incentive to want to know what the film will be about; we also addressed our audience primarily through using actors that are close to the age group because, as the Uses and Gratifications puts it, it helps to create a cathartic reaction that the audience will then take in and thus make our product more successful than anticipated.

6) What have you learnt about technologies from the process of constructing the product?

I have learnt about the capabilities of a DSLR camera and its usefulness over a much expensive camera that would be ideal for filming such movies; one thing I have learnt about the capabilities is the quality differentiation between two different DSLR cameras, such as the Canon 5D (used to film our last film) and the Nikon D3100 (used to film our three previous test films). We surmised that the Canon 5D was much more useful in terms of capturing better sound, filming in the dark and capturing high-quality content simultaneously, while the Nikon D3100 specializes in providing better quality during the daytime and although the sound is mitigated, it allows for better sound editing to come in play, as well as its usefulness with the lens as it plays a big part in showing who is important and who is unimportant (focus). In terms of software, we have dabbled in different editing programs to accomplish our tasks, such as Sony Vegas Pro 12 and Adobe After Effects (mainly), as well as Final Cut Pro and iMovie, which we have used to complete our final film; this helped us to see the many different elements in filmmaking and editing, as well as giving us an insight as to which one works better to create a better piece. Perhaps our biggest discovery is the Internet's potential as a market base rather than just a place for social media to bustle, as it worked to our advantage; the Internet has a massive and wider range of different age groups to appeal to and thus it helps to either promote and appeal to these people or it helps for audience research as it operates on an international basis rather than just a local or national basis--these are the primary and most prominent discoveries about the importance of technology that we have made through our research.

7) Looking back at your preliminary task, what have you learnt in the progression from that to the final product?

I have learnt more about corresponding shots and using them to my advantage. Continuity is a very important and crucial part in film as it helps to portray realism but at times, it can be beneficial to experiment quite a bit with different elements in order to create a distortion effect that accurately portrays the story that the director may be trying to tell. In terms of story itself, we have learnt about using an opening to set up the events for the rest of the film, and we have learnt about its importance in creating a first impression for the audience to observe and then judge, and finally, what we have learnt most is to be committed to our roles enough to create an original piece because it is what sells the realism and the story to the audience, and also sees a dramatic improvement in our endeavour concerning filmmaking. 

Our ethos during our filming was that 'as long as you worked hard and pushed past your boundaries, there would be nothing that could stop you from progressing rapidly', thus this is what held our team together and given that we were all friends, the confidence boost helped to make this a great success.
 

Audience Reactions to ParaSight:





Judging by our audience reactions I would deem this production a success. Although not being able to have the crisp quality we envisaged, one could argue that the grainy footage helped to sell the horror with the grunginess reflecting the unsettling situation. If we had more time I think we could have focused more on the typography of the titles; however the text we have included seems to be fit for purpose.

Main Task

Main Task

The main task consisted of mainly experiments of our film ParaSight which eventually proved to be successful. We instantly chose Alexandra Palace as the place for the setting of our horror opening sequence due to it's flexibility in which we can represent both urban and rural environments, not to mention old and new architecture. We show in planning our brief reckee carried out before initial production.






Here is our first take on the horror opening sequence. This was inspired from our research and experimentation of the Silent Film technique.  In the beginning scenes we decided to start off by using the generic narrative structure created by Izetan Todorov by creating an equilibrium with the uplifting non-diegetic music and sunlight.  The use of cigarettes (Fake ones! Bought at a toy store on the day) created a sense of immorality causing the audience to begin to dislike the bullying female and possibly feel empathy towards the female who doesn't want to smoke.  This creates a greater surprise to an audience when she is killed first and used as a sacrificial lamb. We decided to make our antagonist supernatural to instantly diminish the verisimilitude with the intense blue flares conflicting with the generic black and white scenes. We had the endeavour to scare the audience however we didn't think that this was effective as the supernatural effects seemed too unrealistic. We decided to use sinister font to create a further unease in the scene.




This is our second take of ParaSight in which we used colour rather than black and white. We delved into After Effects and experimented with many effects to represent our paranormal antagonist as menacing and extremely abnormal. As with the first sequence we believed this was not effective as the creature lacked realism and it was clear the effects were created in post-production.






We decided to change our plot and revert to the audiences opinion on who their favourite antagonist was - a serial killer as we thought that the supernatural being had its limitations in effectively scaring an audience as our skills in post production aren't sufficient enough to create a believable piece. If we had a larger budget; then we could hire an editor to edit our film but as we do not have the money we chose to film a sequence which would be more believable after the edit. We wanted to challenge the expectations of the audience by having an ordinary, innocent looking man do the dirty! He appears to be an innocent bystander however much to the surprise of the audience; he kills our sacrificial lamb.





In this blog we discussed our previous versions of ParaSight, contemplating what could be done in future productions. We also take a look at what horror means to us and comment on our favourite conventional characters in Horror movies and talk about why they appeal to us.


Final ParaSight Production





Here is our final take on ParaSight in which we made many differences to our horror film. Firstly, we decided to change from day to night as this appeals to the generic conventions of a horror film due to the low key lit mise-en-scene which we believe will create a sense of unease for the audience. We also emphasised the vulnerability of our sacrificial lamb by having her wear a shredded dress and bare feet in which we had to consider health and safety to avoid injury.  The music used was taken from youtube, apart from the beginning titles which was a composition created by myself using 'Propellerhead Reson 5'. I used the piano to create the initial eerie piece then reversed it.

Research and Planning

This essay will cover a detailed analysis on Horror Films.

Disturbing and designed to scare and panic the audience, horror films are often entertaining and captivating.  They tend to raise our hidden fears:  vulnerability, fear of death, fear of the unknown, loss of identity, fear of the dark, and my hidden fear – supernatural/occult beings. They commonly include a nail biting finale, which in my opinion causes the film to be more enjoyable, although terrifying!

Different film genres carry specific codes and conventions, which allow each film type to be differentiated from one another. This helps the target audience identify the genre of the film. Every horror film illustrates similar features that set these codes and conventions, however, some attempt to challenge them making the film original. I also think that this causes the film to be unpredictable and more impressive. Nevertheless, I believe that they should be challenged to the extent where these codes and conventions are still visible and the media genre is still recognisable.

There are many aspects of film that create the genre of horror, including the setting, characters and lighting. Settings are important in any media genre as they can instantly convey what is occurring in the film and allows the audience to identify the genre. They also illustrate a specific mood or atmosphere. Often, in horror films, large roomy or spacious environments are used. I believe that this is because it causes the characters to feel more exposed but also allows the characters to explore their surroundings in a more adventurous way and they may have more space to hide. However, some films may invert this and include some scenes in a cramped area. For example, “The Conjuring” (released July 19^th 2013) contained scenes in confined spaces – a wardrobe and parts of an underground basement.

I believe this was effective because some people would have had claustrophobia, and therefore these scenes would have been even more terrifying than a spacious scene. Horrors are also commonly set in rural areas, away from the city, in the middle of nowhere. With this isolation, more chilling and terrifying events can occur where the mass population would be unaware. This is effective since the audience will feel as if the characters are more vulnerable. There is normally an old abandoned house in these isolated areas, which in films containing supernatural/occult beings are a prominent feature in the horror genre. I think the fact that a house is used, enhances the eeriness of the film since everyone can relate to houses and it causes the audience to feel uncomfortable in a place where they are meant to feel safest. Horror movies include a range of other settings, such as forests, churches and other sinister surroundings with the appropriate lighting.

Lighting is used to create a specific mood or tone in the scene. There are many different types of lighting used for different purposes to create a certain impact on the audience.  Horror films usually demonstrate three main types of lighting: Under lighting, Low key lighting and Back lighting.

Under lighting is when the light is being emitted from below the scene and creates a warped effect. This is used to create uncertainty in the audience, as they do not know what is in the dark areas - “fear of the unknown”. Furthermore, we are familiar with light coming from above our heads (light from the sun), rather than below. The use of lighting from beneath confuses our brains and creates fear. In scenes with low key lighting dark shadows are accentuated. This causes the overall atmosphere of the scene to become gloomy and since the subjects are hidden, the viewer may feel more distressed.

 

Back lighting/Rim lighting is when the light is shone from behind the subject creating a silhouette. If a person were to be the subject the back lighting will cause them to be represented as an evil, sinister character due to their hidden identity. Sometimes the lack of light can be considered ineffective as we might not understand what is happening in the shot.

Short Essay
 

Quite commonly in horror movies, there is a constant battle between innocent and evil.  There is always the antagonist who creates the majority of disturbances in the film. The antagonist could be anyone from a supernatural being for instance in “Paranormal Activity” or a deceptive child, for example, the young girl from “Orphan”. These characters are often determined to get revenge, create terror or send a message to the person they are distressing. Some horrors display characters with masks. I believe this can be very effective since it hides the identity of the character and plays on the “fear of the unknown”. In addition, supernatural beings such as demons and witches play on the “fear of unknown” as we do not have definitive proof that they exist. The protagonist is the victim, and is usually innocent. However, some films reveal the protagonist as the antagonist in order to shock the target audience. This is effective as it makes the narrative more interesting as the audience expectations are challenged. Sacrificial Lambs are very common in the Horror genre. These characters play the unfortunate role of the victim to die first. They tend to be female, who is incapable of saving themselves as they are weak and vulnerable. The general use of females as sacrificial lambs emphasizes the traditional representation of the gender. The use of a female dying first is intended to appeal to the male target audience, according to Carol T clover. She suggests that in the early horror films, blonde woman with big breasts and who dressed provocatively were the first to die and it was almost a pleasure for the male audience to see her murdered. Furthermore, these characters were portrayed as dumb and annoying to the point where the audience would want them to be killed. I believe this is effective since it builds tension and suspense in the scenes where the audience anticipate the Sacrificial Lamb’s death. Demonised children in films such as “The Unborn” are another type of character that cause horror films to be more effective. The fact that they are evil contradicts with the innocent and pure nature of a child which is unsettling to the audience.  Originally, the creators of horror films thought about the ethical issues that may be raised when including children in horror movies. They believed that it would be too upsetting for an audience to witness the brutal murder of a child. Therefore they decided instead to make the child possessed which is not as distressing as witnessing the murder of one, however upsetting enough to still make the film scary. There are many other key characters in horror films, such as the Non-believer who is usually a cocky male who is often killed in the film, and the Psychic who is commonly a female and helps the protagonist with the spirits/demons – this character plays an important role in structuring the narrative.

Bibliography

http://www.slideshare.net/04freej/codes-and-conventions-of-horror

http://www.imdb.com/title/tt1179904/

http://en.wikipedia.org/wiki/Sacrificial_lamb

Film Openings

Quantum of Solace

I believe this film was very successful as it included the codes and conventions of an action film while captivating the audience and encouraging them to watch more. Institutional information was included in the beginning with the production company ‘Columbia’ and then merges in with an establishing shot of what appears to be a large scale mountainous island with an ocean/sea surrounding the entire land. The sea could represent being in the ‘deep end’ meaning that what is imminent will be beyond what the audience could imagine. The rigid surface of the region could symbolise the unease of the situation as the camera begins to build speed as it zooms towards the island, in turn building suspense. The music is low paced and classical which also builds suspense as the audience will expect the music to become faster paced as the camera progresses faster. Classical music could also suggest class and affluence and audiences who have seen previous James Bond films will infer that Bond is in the scene.

We first see close ups of an Aston Martin. The audience do not know for sure the identity of the enigmatic character driving this vehicle however the Aston Martin represents wealth. A flash of bullet holders cross the screen for a second which begins to define the genre of the film – action. The use of bullet holders unsettles the audience as it foreshadows death or violence. It could also represent this mysterious character as someone who is in danger or feels unsafe, therefore needs weapons to protect themselves.

There is a highly effective close up shot of the eyes which builds tension. We can tell a lot about a person just judging by their eyes. This character appears calm and someone who is fearless.

Bond is revealed with the damage to the car and the damage could symbolise the damage to bonds conscience. He is wearing a suit which represents him as a suave, sophisticated and affluent man. From here I will consider looking into analysing a horror opening sequence.

The Ring

The mise-en-scene consists of a blonde white female in a white T-shirt who due to her could be considered a sacrificial lamb due to her appearance. The white shirt can represent her as pure and innocent however due to her short skirt this purity is in some way corrupted.  The lack of music helps to build tension in the scene as the silence is enthralling. The conventional use of low key lighting creates a dark atmosphere in the scene and causes the audience to anticipate something horrible to occur. The slow movements of the blonde female also helps to emphasise this as she curiously plugs out the television. The fact that she had bare feet assisted with representing her as vulnerable in turn possibly causing an audience to feel sympathy for her. The use of the 'jump scare' technique at the end of the sequence was really scary in my opinion and the demonic face of the girl helped to emphasise the horror.

Jump Scare: A tactic used in horror movies to scare people.

- www.urbandictionary.com/define.php?term=Jump+Scare

Propp + Todorov

Transcript of Propp & Todorov - Written by Lemar Barrett and Yan Toby-Amisi

PROPP AND TODOROV: Character Profiles and Binary Opposites

Vladimir Propp - His Theory

There are seven character profiles; one is the villain (the bad, bad person, if you don't know what a villain is..), who struggles against our hero, who is our PROTAGONIST. By this logic, the villain is our ANTAGONIST (hence antagonising our hero).

The last 6.

There is the donor (who gives the magic), the helper (think of Alfred for TDKR), the princess (the main girl), the false hero (who's good at first but is actually evil), the dispatcher (M from James Bond?) and finally, the hero, our protagonist.

But how will we know, sir?

It's everywhere! While prominent in superhero genre movies and action movies, they're also in rom-coms and a ton of other things! Do this; watch a movie and try to apply this theory to the characters that you see on screen. It's easy peasy lemon...lemons are very sour. But applying this theory is like applying a fresh juicy mango to your thirsty tongue...

Ummm you promised us Todorov, sir!

Yes, I did, old sport. Now what about Todorov? Ah yes, our dear old friend invented the narrative structure that EVERY (and I mean EVERY) Hollywood follows; watch a movie and try to use the following method to identify what happens to the equilibrium.

Todorov - His Theory

 There is an equilibrium (everything is normal, balanced and generally clam (#casjj)), and then suddenly... a problem/disruption breaks the equilibrium! After this, the characters then realize the problem (called recognition of the disruption), and then they resolve to fix the problem, which is another important plot point. The final link to this theory is the restoration of the equilibrium or a new equilibrium is created (any movie that has had a hero die to save the "World" and then everything is safe after would be a new equilibrium). Some directors choose to change the order of these narrative points to make the film more intriguing and enthralling to an audience!

 Who are these people, Senór Lemar?

Well, I'll tell you, old sport. In the world of film (as well as TV), there is always a character profile and how a story is told through a narrative structure; Todorov and Propp were effective in this method of telling stories. Let's start.

Now, let's do some BINARY OPPOSITES!

Binary Opposites is a term used to describe an opposite to a character profile; for example, if there is a hero in a movie/TV show, there will always be some form of opposition in the form of a villain. Whereas, in a simpler term, the protagonist always has an antagonist to oppose them.

Reflection

From this comic script we have come to the realisation that these theories are very successful in the film industry and should be used in our future sequences. However, in my opinion I think Prop's binary opposites and Todorov's narrative structure should only be used subtly in our horror opening sequence since one could argue these theories have been over used, therefore it may cause our film to grow less believable and more predictable. As the films predictability increases; the level of audience scare decreases, unless their expectations are challenged.

Silent Break - Written by Yan, filmed

 

by Zhavane & edited by Lemar

In this project we wanted to experiment with a more classical editing method; Silent Film, that has over the years seemed to have been shadowed by the introduction of new technologies such as colour in film and advancements to vfx and sfx. These new technologies have allowed filmmakers such as us to create films with greater quality however we felt that this confiscated the authentic feel the film and therefore decided to revisit this obsolete technique by conveying a simple love story in this style. We wanted to test whether emotion could be better when a film a lacks dialogue and to see whether the production could remain as understandable as one with dialogue. Horror films such as Nosferatu and The Man Who Laughs where very successful silent films and can be considered one of the most terrifying of the 20's.

We kept the film black and white, firstly as a tribute to the classic format of the silent film and also to reflect and ideology that we share, 'The world is all without colour and the purpose of life is to find colour'.  Considering the story line was simple and conveyed a situation in which the morality of  the girl's actions were questioned and somewhat seemed wrong, the lack of colour showed the inevitability of her not finding her 'colour'.

In this shot we wanted to create a sense of enigma as to who the girls new boyfriend could be. The darkness of this character is emphasised though the silhouette he adopts in which he is represented as a possible antagonist. Furthermore, the girl is walking from the 'limelight' towards the dark shadowy alleyway which further evokes her corruption and lack of 'colour'. She could be considered a falling angel and the transition from light to dark emphasises this. 

We used the inter titles as another tribute to the classic silent film. This also helps to glue the storyline to the visuals as although there is no sound the text allows for an audience to make greater sense of the narrative. The inter titles also reflect the simple idea that a few words can explain a mass of emotions and complex thoughts that could be diluted by a character speaking, thus making it more harder hitting. Moreover, we dicided to make the typography more simplistic to make it more legible and to further convey the ideology that a few simple words can evince more encapsulating and intellectual.

Overall I believe the silent film genre was quite effective and could be a possible technique to include in our horror opening sequence; considering we have scary music.

Nosferatu (1922): http://www.imdb.com/title/tt0013442/

The Man Who Laughs (1928): http://www.imdb.com/title/tt0019130/



Audience Research

Interviews:



From interviewing a random selection of students aged from 15 - 21 we uncovered that the majority preferred to see a 'serial killer' as an antagonist. Therefore we will consider using a serial killer in our final production.


Research on Shot Types:

There are countless shot types that are used in film to create desired effects on an audience, to emphasise different objects or evoke the status of a character. Having an understanding on the impacts of different shot types will allow for our films to have a greater effect on the audience.

There are six generic shot types used in film:

Medium Shot

Close Up

Extreme Close Up

Long Shot

Very Long Shot


Birds Eye Shot:
Usually used to emphasise the focal point and could be considered a shot which causes the characters to be represented a submissive. Also this shot allows to establish setting.





Establishing Shot:
These shots establish the setting and could possibly helps to create a greater sense of verisimilitude or just allow the audience to anticipate what could happen - for instance if the mise-en-scene consists of a rural setting of a field, the audience could infer that the characters may be isolated.





Canted angles:
Canted angles are tilted angles usually used to create a sense of disorientation. This would be effective in a horror film as the audience will feel a sense of unease and unbalance.



There are many other shot types; however I believe these selected ones were shots we will definitely consider in our horror film.



Film Distributors Research

 

From the film distributers association research, we have uncovered the essential need for a certificate for our film. We believe that the general certificate rating of 15 as films could contain 'adult themes, hard drugs, regular use of foul language and limited use of very strong language, strong violence and strong sex references, and nudity without graphic detail.' Moreover we believed that our distributer would be 'Hammer Films'

http://en.wikipedia.org/wiki/British_Board_of_Film_Classification




Hammer Films



 Horror of Dracula: http://www.imdb.com/title/tt0051554/

The Mummy: http://www.imdb.com/title/tt0053085/

Fear in the Night: http://www.imdb.com/title/tt0068577/


Looking at Hammer Films, they seem to evoke the ideology of our group that horror can be induced through anyone; from an obvious antagonist - such as the vampire in Horror of Dracula to a character who you wouldn't expect to be a chaos inducer - such as a disabled man in Fear in the Night.



Storyboard

During The Main Task we created a fairly detailed storyboard of the final version of ParaSight;  and also created a risk assessment form to reduce any chances of injury. We believed this would be essential as we have planned to film at night; 22:30, and planning with a storyboard will allow us to use the time we have effectively. Furthermore, we focused on costume design in the final version to make the film more believable.






Alexandra Palace

We visited Alexandra Palace and listed all the possible settings we could use in the area. We discovered that it was very flexible as we could film numerous different scenes to create different moods and the iconic palace building could further attract our audience.  Once visiting 'Alley Palley' we thought that this could be the ideal place to film with our limited time; as it supported our storyboard to a great extent.

Preliminary Task - Match on Action

Preliminary Task

Scripted by Yan, Filmed by Zhavane and Edited by myself.



This was our first attempt in demonstrating the match on action technique; illustrated through a comic sketch. While the characters were walking through the door we edited it in such a way that the transition between the two scenes are seamless.  In the future we will consider using this technique to create a sense of continuity. The match on action technique also helps to captivate the audience as the varied shots will dilute the potential monotonous tone.

Comments on Preliminary Task






Preliminary Task Development

We set ourselves specific roles in this short production and I was responsible for editing the titles and colour correcting the mise-en-scene to create the desired effect. The film follows the life of an immortal, 118 year old boy who is on a quest to make amends with his family. As time progresses he is continually deteriorating mentally and faces many conflicts with himself. I wanted to illustrate this by lowering the saturation of the scene since the lack of colour creates a duller atmosphere.

The lowered saturation, although subtle, seemed to evoke mood effectively, more so than with higher saturation. Therefore we will exaggerate this effect and experiment with black and white films to judge its effectiveness.

Moreover, we experimented with different lighting techniques for instance using the sunlight to convey different atmospheres. I feel that the dark shadows in the beginning of the sequence helped to reflect the immortals dark emotions whereas the bright sunlight helped to illustrate a sense of hope. Lastly the use of varied lighting techniques created more of a sense of verisimilitude in the film. 

 Camera operating practice for a short film.

Imago is a short psychological thriller, inspired by Steve McQueen, focusing on a girl with an overwhelming obsession over a man she barely knows and how her mental conflict and insanity eventually leads to her death. The purpose of this production was to develop our skills in camera operating, directing, editing, cinematography and to use this experience as a learning tool to develop our understanding on how we will create our horror films.

We decided to shoot the film in black and white as the lack of colour symbolises the absesense of warmth and empasises the girls insecurity.  The use of a shadow in the first shot illustrates to the audience that the events that are about to unfold could happen to any teenager. It also evokes her loss of identity and that she doesn’t really know who she is.

We used a Bible to create a religious allusion.  I think that the juxtaposition of the bible and the females frantic hands help to amplify the sense of unease as the audience begin to question if she is having moral dilemmas.

This use of symbolism should be considered in our future films as it builds more layers to the film which in turn prevents it from becoming less captivating. Moving on from this project, we will create another short film; experiment with more camera shots and editing techniques to evoke specific moods.

These productions have allowed me to discover who to work with in later productions. I have been able to work collaboratively in the preliminary task with Yan and Zhavane, who are fellow class mates and I believe working with them will allow us to create a successful horror opening sequence.